Description:
In ‘Decisive Days’ Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies. Frequently in her work, she is the main model. In the series of “Suites françaises” (French suites) made during a residency of three months at the Musée Nicéphore Niepce at Chalon-sur-Saône in 1999, the artist questions her relation to a foreign language, showing the difficulty in naming things with “post it” stickies. From this work emerges a sense of autobiographical intimacy, of which the camera exists as an absent witness. The artist captures decisive emotional states: the skin texture of a dancer in rehersal, a fine arts model posing as a Degas nude, a state of mind before leaving…The theme of landscape links introspection and contemplation as revealed in her self-portaits. One thinks of Caspar David Friedrich who stressed in his paintings that art played a role as mediator between nature and man. When referring to her work Brotherus has stated, “For me, photography is primarily a constructed image. I consider myself a “maker” of images, or perhaps as someone who finds images. Visual discovery is very important. The working process follows after in the lab.”
Publication Date: 2002
Publisher: Pohjoinen
Condition: Very Good
Book Size: 23.5 x 28 cm
Pages: 157
Format: Hardcover
ISBN: 9517493665
Description:
In ‘Decisive Days’ Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies. Frequently in her work, she is the main model. In the series of “Suites françaises” (French suites) made during a residency of three months at the Musée Nicéphore Niepce at Chalon-sur-Saône in 1999, the artist questions her relation to a foreign language, showing the difficulty in naming things with “post it” stickies. From this work emerges a sense of autobiographical intimacy, of which the camera exists as an absent witness. The artist captures decisive emotional states: the skin texture of a dancer in rehersal, a fine arts model posing as a Degas nude, a state of mind before leaving…The theme of landscape links introspection and contemplation as revealed in her self-portaits. One thinks of Caspar David Friedrich who stressed in his paintings that art played a role as mediator between nature and man. When referring to her work Brotherus has stated, “For me, photography is primarily a constructed image. I consider myself a “maker” of images, or perhaps as someone who finds images. Visual discovery is very important. The working process follows after in the lab.”
Publication Date: 2002
Publisher: Pohjoinen
Condition: Very Good
Book Size: 23.5 x 28 cm
Pages: 157
Format: Hardcover
ISBN: 9517493665